Born
in France with the name Phillipe Pages, he took the stage name Clayderman
(from his great-grandmother) because his real name was pronounced
differently in every country.
His
father was a piano teacher and began teaching him classical piano
at a young age. Clayderman entered the Paris Conservatory at age
12 and won first prize for piano at 16.
When he found it difficult to make a living as a classical pianist,
he turned to popular music and toured with French rock musician
Johnny Hallyday. The turning point for Clayderman came when two
record producers asked him to record "Ballad pour Adeline." That
record, which helped launch his career into popular music, has sold
over 20 million copies in 38 countries.
Clayderman's
shift from classical to popular music not only allowed for his remarkably
successful career but moved him into an area of music which he feels
more closely reflects his personality. Although he still plays classical
music on stage, for his United States concerts he focuses on romantic
interpretations of popular American melodies. "I think there is
a need for this kind of romantic music, " he told the Christian
Science Monitor, "because we live in a world [where] terrible things
are happening, and people need music to feel a bit cool and relaxed.
I think a proportion of my audience also listens to other styles.
For example, I'm sure the young people like rock 'n roll music.
But
through my playing they discover a new kind of music--classical,
because sometimes I play that on stage." In a review of his 1985
New York debut at Carnegie Hall, Variety suggested that, besides
his repertoire and lush playing style, "Clayderman's main appeal
lies in his youth and boyish good looks. ... Coupled with his gentlemanly
charm and his thick French accent, they promise to rope in the romantically
inclined middle-aged Yank ladies who cotton to this ilk of soothing
entertainment." The Los Angeles Times, also reporting on a performance
from his first American tour, objected to the canned quality and
cuteness of his audience interaction, but praised the show as "otherwise
well constructed, with a good balance of original and established
songs, and of romantic ballads and high-stepping rhythm pieces."
For his American concerts he performed with a 16-piece orchestra
and offered romantic crowd pleasers like "Feelings," "The Way We
Were," and "Chariots of Fire."
The
Christian Science Monitor remarked that, heard along with the orchestra,
his performance had the "solidity and strength that spring from
his training as a classical pianist." His concerts are marked by
standing ovations and multiple encores. For People to accuse Clayderman
of displaying "all the emotions of a turnip" and for Rolling Stone
to describe him as a "schlock pianist" is perhaps unfair. He may
not be Horowitz but his music does fill a need as evidenced by over
two hundred gold and platinum records and international sales reported
at over 40 million albums. "If the sales figures Columbia claims
are true," Stereo Review noted in 1987, "he is probably the most
successful pianist in the world today." Selected Discography American
releases--on Columbia: From Paris with Love,1985. Amour,1985. A
Romantic Christmas,1985. Plays Love Songs of the World,1986. Romantic
America,1988. Released on Teldec in 1986: Rhapsodie(with the Royal
Philharmonic Orchestra). Ti Amo. Traumereien. Traumereien 2. Traumereien
3. Zeit Zum Traumen.
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